Nala Design New Collections Brutal TImes May 2026

SUBSCRIBE TO OUR NEWSLETTER

SHOP NOW

NALA HAPPY TIMES

DESIGN

CULTURE

TASTE

TRAVEL

FOOD

THURSDAY SHOWS

UNAGI CLUB

NALA'S SHOP

DESIGN

CULTURE

TASTE

TRAVEL

FOOD

THURSDAY SHOWS

UNAGI CLUB

ARCHIVES

CONTRIBUTORS

DISCOVER

Nala's Instagram

Nala's Facebook

Nala's LinkedIn

Lisetts's LinkedIn

Nala's Tiktok

Nala's Youtube

OUR BRAND

About us

Nala's locations

FAQs

Customer service

Careers

Manifesto

HIGHLIGHT

Latest issue on 7 Sept 2025. Update every Saturday.

Thursday Show
EVERY WEEKEND, A LITTLE SOMETHING SPECIAL AT NALA

EVERY WEEKEND, A LITTLE SOMETHING SPECIAL AT NALA

5 min read

EVERY WEEKEND, A LITTLE SOMETHING SPECIAL AT NALA

There’s always something happening at Nala The Campus, and this weekend is no exception!
From 16 - 18 October, we’re joining the excitement of Better Days Market 2.0 at The Campus Ampang with a special offer and a little inspiration for your home.

LISETTE

SHARE

With so many interesting things to discover around the market, it’s the perfect excuse to make a day of it. And while you’re here, why not drop by Nala The Campus to see what’s in store?

A Little Treat for Your Wardrobe

We’ve got a special T-shirt offer for the weekend! Spend RM150 in a single receipt and you can add one selected T-shirt, originally priced at RM69, for just RM34. Whether you’ve had your eye on a particular design or simply want to add something new to your wardrobe, it’s a good opportunity to pick up a favourite while stocks last.

Bring a Little Green into Your Space

Inspired by the plant-filled atmosphere of Better Days Market 2.0, we’re also putting our terracotta plant pots in the spotlight. Available in small (RM49) and big (RM59), they’re an easy way to add a little character to your home. Style them with your favourite plants and pair them with our table runners to make you space more unique.

Sometimes, it’s the little things that make a space feel like home. A new plant pot, a beautiful print or a small addition to your table setting can make all the difference.

The skirt that thinks it is a painting.
The skirt that thinks it is a painting.
The skirt that thinks it is a painting.

Make Nala Part of Your Weekend

Whether you’re visiting Better Days Market 2.0, looking for something new to wear or searching for a little home inspiration, we’d love to have you stop by. There’s always something worth discovering at Nala The Campus, and we’re looking forward to seeing what catches your eye this weekend.

📍 Nala, The Campus Ampang
📅 16 - 18 October 2026

Your weekend market trip wouldn’t be complete without a visit to Nala!

Promotion terms: Selected T-shirts only. One T-shirt per qualifying receipt. While stocks last.

The skirt that thinks it is a painting.
The skirt that thinks it is a painting.
WHAT HAPPENED TO THE NEWSSTAND?

WHAT HAPPENED TO THE NEWSSTAND?

5 min read

WHAT HAPPENED TO THE NEWSSTAND?

Four magazines every creative should know.

LISETTE

SHARE

When I was living in Europe, one of my favourite weekend rituals was visiting the supermarket and spending an unreasonable amount of time in front of the magazine stand. These days, I tell myself I don’t have the time, which is a rather impressive excuse considering how much time I manage to spend scrolling through Instagram and answering WhatsApp messages. Besides, who goes to the supermarket anymore when Grab delivers practically everything to your doorstep?

I do miss the newsstand, though. All those beautiful covers lined up together, competing for your attention. For me, there are four magazines that are absolutely essential: Wallpaper*, Monocle, Vogue Australia and ELLE Decoration UK. Please note, not just any Vogue or ELLE! Specifically Vogue Australia and ELLE Decoration UK. I can’t quite explain why these particular editions have become such brilliant references for what’s happening in design, fashion and culture, but they have. If you managed to get your work featured in any one of these four, you’d made it. At least, that’s how I’ve always looked at it.

The skirt that thinks it is a painting.
The skirt that thinks it is a painting.
The skirt that thinks it is a painting.

A couple of weeks ago, I discovered that most of my team had never even heard of these magazines, particularly Monocle and Wallpaper*. Coming from a design company, that’s a little awkward, to say the least!

I’ve always believed that design is a vocation, not just a job. You have to be curious about what’s happening around you, whether it’s fashion, architecture, photography, typography, interiors or the way people live. Of course, there’s an enormous amount I don’t know either, even after all these years as a creative director, but that’s precisely why we need to keep looking, reading and learning from one another.

Especially in these challenging times, curiosity is one of the most valuable things a creative company can have. As a collective, we need to keep each other informed, inspired and interested. You can’t work in design without loving it, and you certainly can’t expect to create anything interesting if you never look beyond your own little world.

So next time you pass a newsstand, please stop for a moment. Pick up one of these four magazines, flick through it and perhaps even buy one. You never know what you might discover, and it’s certainly more inspiring than another twenty minutes of mindless scrolling.

Now I just need to take my own advice and actually go to the supermarket.

The skirt that thinks it is a painting.
The skirt that thinks it is a painting.
EVERYTHING HAS THE RIGHT TO BE DESIGNED

EVERYTHING HAS THE RIGHT TO BE DESIGNED

5 min read

EVERYTHING HAS THE RIGHT TO BE DESIGNED

No matter how small, no matter how hidden.

LISETTE

SHARE

One of the things I was taught as a graphic designer is that everything has the right to be designed, no matter how small or insignificant it might seem. It’s something I’ve carried with me throughout my career, and it’s very much part of how we think at nala. The inside of an envelope deserves as much attention as the outside, the lining of a bag should be just as beautiful as its exterior, and even the inside cover of a book is an opportunity to do something wonderful.

The other day, we were testing a potential production manager, and she asked me why we would bother putting a pattern on the inside of a bag when it would only increase the cost. I understood her point, of course, but my answer was simple. Why shouldn’t the inside be beautiful? After all, you’re the one who sees it every time you open your bag, and I think those little moments of unexpected pleasure are worth something.

Years ago, one of our signatures was using patterned linings inside our dresses. It was something I absolutely loved, and it’s a detail I’d very much like to bring back. For now, we’re concentrating on our bags, where the inside is never an afterthought. We’ve also become rather well known for making things reversible, which I suppose is the ultimate expression of this philosophy. Why have one beautiful side when you can have two?

I think we’ve become so used to looking at things from the outside that we sometimes forget what’s happening underneath. A beautiful lining might not be the first thing you notice, and it certainly isn’t the most economical decision, but that’s not really the point. Good design, to me, is about caring for the parts that people might not immediately see. It’s about the thought, the detail and the pleasure of discovering something unexpected.

The skirt that thinks it is a painting.
The skirt that thinks it is a painting.
The skirt that thinks it is a painting.

Which brings me back to our Gerald bags. We’ve already introduced them, but I realised we forgot to show you something rather important: the inside! Each one is lined with a beautiful nala print, and I would argue that some of the interiors are even more beautiful than the exteriors. It’s a little surprise waiting for you every time you open your bag.

So here they are again, our Gerald bags, this time turned inside out, because I think the inside deserves its moment in the spotlight too.

Just because something is hidden doesn’t mean it shouldn’t be beautiful.

The skirt that thinks it is a painting.
The skirt that thinks it is a painting.
LET’S GET OUR HANDS DIRTY AGAIN

LET’S GET OUR HANDS DIRTY AGAIN

5 min read

LET’S GET OUR HANDS DIRTY AGAIN

Back to old school, back to making things with our hands.

LISETTE

SHARE

We loved our little plant pots so much that we decided to make more! There’s something incredibly satisfying about taking an ordinary terracotta pot, covering it in one of our colourful nala fabrics and turning it into something completely different. They’re cheerful, a little quirky and ridiculously cute, especially once you’ve found the perfect little plant to live inside.

Every pot is made in-house, by hand, using our own fabrics. No two will ever be quite the same, and that’s precisely what I love about them. We’ve become so accustomed to everything being produced at the click of a button that I sometimes wonder whether we’re forgetting the simple pleasure of making something ourselves.

I’m a great believer in handicraft, in cutting, pasting, experimenting, getting glue on your fingers and occasionally making a glorious mess. There’s something wonderful about working with your hands, and I think we should all be doing a little more of it. One thing’s for sure, AI can’t sit down with a terracotta pot, a piece of fabric and a pot of glue and make one of these. Neither can a 3D printer recreate the pleasure of doing it yourself.

A row of fabric-covered terracotta pots in bold nala prints, stacked and planted, on a sunny windowsill.
A small terracotta pot wrapped in green fabric with a large cream flower print, beside a lilac and purple pot.
A little pot covered in red and white geometric flower fabric, with a lilac and green pot behind it.

Perhaps it’s time we went a little old school again, because not everything needs to be digital, automated or perfectly manufactured. Sometimes all you need is a good idea, a pair of scissors and an afternoon to yourself.

Our new fabric-covered terracotta pots will be available in all our stores this weekend, so please go and find yourself a lovely little plant to put inside. They’re super cute, and I think they’ll make wonderful gifts too.

For those of you who fancy making your own, we also sell our nala fabrics. Come and visit us at our Kantoor store at Kasturi, where you can choose your favourite print and have a go yourself. Who knows, you might discover a new hobby.

Here’s to getting our hands dirty again, and making something beautiful in the process.

Black and white photo of a pot covered in a hexagon flower print, in front of a potted plant.
A cream and green floral fabric pot holding a leafy plant, with a navy and yellow pot against a brick wall.
PELIKAT’S ENGLISH COUSIN

PELIKAT’S ENGLISH COUSIN

5 min read

PELIKAT’S ENGLISH COUSIN

Men’s shirting, feminine frills and a little Oxford education.

LISETTE

SHARE

I’ve always believed that stripes and flowers make a wonderful combination. There’s something about the discipline of a stripe against the wildness of a flower that just works. It’s a contrast I’ve always loved, and one that feels very much at home at nala.

This weekend, we’re introducing our new frill skirts and balloon skirts, made from classic Oxford shirting fabrics. Think crisp cotton shirts, rolled-up sleeves and a gentleman’s wardrobe, except we’ve taken these rather proper fabrics and turned them into something altogether more feminine.

Oxford cloth has quite an interesting history. Despite its rather grand name, it didn’t actually originate at Oxford University. According to a popular account, a Scottish textile mill in the 19th century developed four fabrics named after famous universities: Harvard, Yale, Cambridge and Oxford. Of the four, Oxford became the enduring classic, eventually finding its way into the wardrobes of generations of men.

The stripes have their own story. Striped textiles have travelled across cultures for centuries, with the classic Bengal stripe tracing its roots to India before becoming a favourite in British shirting. By the 20th century, striped Oxford shirts had become part of the American Ivy League look, associated with university students, artists and that rather effortless style of dressing we now call preppy.

What I find interesting is that these fabrics were traditionally associated with men’s clothing. They’re practical, crisp and understated, which makes them all the more exciting when you introduce a frill or give them the exaggerated volume of a balloon skirt.

In many ways, I see Oxford stripes as the English cousin of our Malaysian pelikat. Both are familiar everyday fabrics, traditionally worn in quite different ways, and both have a wonderful simplicity about them. I rather like the idea of taking something so ordinary and giving it an entirely different life.

A woman in a floral cropped top and a blue and pink Oxford stripe balloon skirt sits on a bench, hands in her hair.
Walking down a cobbled street in a floral cropped top and a full-length balloon skirt in blue and pink Oxford stripes.
A tiered frill skirt in mixed lilac and blue Oxford stripes, worn with a navy floral top against a brick wall.

The frill skirt is particularly clever because it can also be worn as a top. Wear it around your waist as a skirt or pull it up and wear it as a top, giving you two completely different looks from one piece. The balloon skirt, meanwhile, is all about shape and volume. I love both worn with our floral prints, although they’re equally lovely with a simple T-shirt or even more stripes.

We sourced all the fabrics from a little shop in Chinatown, which makes this collection especially meaningful to me. I love discovering these fabric shops and supporting the people who keep them going. The skirts are made in-house by our own team, something I’m particularly proud of, because there’s nothing quite like seeing an idea go from a roll of fabric to a finished piece.

Our new frill and balloon skirts launch this weekend in all our Malaysian stores. Singapore will have to wait a little longer until our new store at Great World reopens.

I hope you’ll have as much fun wearing them as we’ve had making them. After all, who says men’s shirting has to stay in a man’s wardrobe?

A maroon shirt with a red and white checked Oxford balloon skirt, photographed in the nala workroom.
The frill skirt pulled up and worn as a strapless top-dress in pink and lilac checks, with a silk scarf.